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Alfred Sisley Schwemme von Marly oil painting


Schwemme von Marly
Painting ID::  76267
Alfred Sisley
Schwemme von Marly
Date 1875 Medium Oil on canvas Dimensions Deutsch: 46 ?? 61 cm cyf

   
   
     

Alfred Sisley Brucke von Hampton Court oil painting


Brucke von Hampton Court
Painting ID::  76268
Alfred Sisley
Brucke von Hampton Court
Date 1874(1874) Medium Oil on canvas Dimensions Deutsch: 46 ?? 61 cm cyf

   
   
     

Alfred Sisley Saint-Martin in Paris oil painting


Saint-Martin in Paris
Painting ID::  76269
Alfred Sisley
Saint-Martin in Paris
Date 1870 Medium Oil on canvas Dimensions Deutsch: 55 ?? 74 cm cyf

   
   
     

Alfred Sisley abends bei Sahurs oil painting


abends bei Sahurs
Painting ID::  76271
Alfred Sisley
abends bei Sahurs
Date 1894 Medium Oil on canvas Dimensions 81 ?? 100 cm (31.9 ?? 39.4 in) cyf

   
   
     

Alfred Sisley Unter der Brecke von Hampton Court oil painting


Unter der Brecke von Hampton Court
Painting ID::  76278
Alfred Sisley
Unter der Brecke von Hampton Court
Date 1874 Medium Oil on canvas Dimensions 50 ?? 76 cm (19.7 ?? 29.9 in) cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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